Recommended by Lainie Vansant

  • Lainie Vansant: THIRD TIME'S THE CHARM

    The juxtaposition between the church's elevated language and the silliness of this premise is delightful. Given the cast, this would be a lot of fun to see onstage -- and a lot of fun to direct!

    The juxtaposition between the church's elevated language and the silliness of this premise is delightful. Given the cast, this would be a lot of fun to see onstage -- and a lot of fun to direct!

  • Lainie Vansant: Monica Before & After

    A moving monologue plus -- there's a lot of space for artistic interpretation on a director's part in this piece, and the central character offers a great opportunity for an actress of any size. This one will make you think -- check it out!

    A moving monologue plus -- there's a lot of space for artistic interpretation on a director's part in this piece, and the central character offers a great opportunity for an actress of any size. This one will make you think -- check it out!

  • Lainie Vansant: little moons

    I love that this play brings up more questions than it answers. It's both beautifully poetic and undeniably strange, and it invites the audience to wonder what might happen next.

    I love that this play brings up more questions than it answers. It's both beautifully poetic and undeniably strange, and it invites the audience to wonder what might happen next.

  • Lainie Vansant: Got a Light?

    What a fun play! Koppen has given Joan of Arc a fun, feminist tone which translates to agency in this quick, fun piece. This is a great ten minute piece that's not too hard to produce -- it's perfect for short play festivals and classrooms!

    What a fun play! Koppen has given Joan of Arc a fun, feminist tone which translates to agency in this quick, fun piece. This is a great ten minute piece that's not too hard to produce -- it's perfect for short play festivals and classrooms!

  • Lainie Vansant: Girl

    This moving play cuts through the rhetoric around gendered distinctions in student athletics to show a real, human person on the other side of things. This play uses liminal/memory space beautifully and offers a lot of space for creativity on the part of its director and actors. Plus, it'll break your audience's heart. Great work all around!

    This moving play cuts through the rhetoric around gendered distinctions in student athletics to show a real, human person on the other side of things. This play uses liminal/memory space beautifully and offers a lot of space for creativity on the part of its director and actors. Plus, it'll break your audience's heart. Great work all around!

  • Lainie Vansant: Thank You For Your Service

    I'm a sucker for a story about dogs, and this one had me tearing up at its conclusion. Performing it would be a ton of fun for the actors, and it wouldn't take much on the technical side -- it's perfect for a ten minute play festival!

    I'm a sucker for a story about dogs, and this one had me tearing up at its conclusion. Performing it would be a ton of fun for the actors, and it wouldn't take much on the technical side -- it's perfect for a ten minute play festival!

  • Lainie Vansant: EXPRESSION OF REGRET

    In many ways, this play is about a symbolic gesture that is too little too late, but Johnson finds a more deft balance between anger and hope by the play's end. This is wonderful work that deserves many performances!

    In many ways, this play is about a symbolic gesture that is too little too late, but Johnson finds a more deft balance between anger and hope by the play's end. This is wonderful work that deserves many performances!

  • Lainie Vansant: Lunch Break

    This deeply felt play is doesn't shy away from a single bodily fluid. The connections between these characters are nuanced and complicated. They would be a great challenge for actors to tackle. Check it out!

    This deeply felt play is doesn't shy away from a single bodily fluid. The connections between these characters are nuanced and complicated. They would be a great challenge for actors to tackle. Check it out!

  • Lainie Vansant: backstroke boys

    There's so much heart and specificity in this play. I was really rooting for Quentin and Zia, and I think audiences around the world, but especially in the United States, would love them and learn from them too.

    There's so much heart and specificity in this play. I was really rooting for Quentin and Zia, and I think audiences around the world, but especially in the United States, would love them and learn from them too.

  • Lainie Vansant: Alumni Relations

    This play tackles a number of heavy topics with incredible compassion for everyone involved. Pelsue tackles big philosophical and ethical topics in a way that works around the temptation to think about them too hard and invites the audience to feel them instead, and it's much harder to come up with a black-and-white answer when we deal with those feelings. This is beautifully written, heart-wrenching work.

    This play tackles a number of heavy topics with incredible compassion for everyone involved. Pelsue tackles big philosophical and ethical topics in a way that works around the temptation to think about them too hard and invites the audience to feel them instead, and it's much harder to come up with a black-and-white answer when we deal with those feelings. This is beautifully written, heart-wrenching work.