Recommended by Rachael Carnes

  • Rachael Carnes: Children's Letters To Satan

    Oh, Anti-holiday joy! This is my kinda Christmas play, in the way that I watch "Die Hard" every year. Busser's collection of monologues offers a delicious tonic to avenge the treacle of the Season. So when you can't take anymore "Cheer" - or you've had it up to your you-know-what with forced pablum - tuck into these raunchy and riotous lil morsels of satanic glee.

    Oh, Anti-holiday joy! This is my kinda Christmas play, in the way that I watch "Die Hard" every year. Busser's collection of monologues offers a delicious tonic to avenge the treacle of the Season. So when you can't take anymore "Cheer" - or you've had it up to your you-know-what with forced pablum - tuck into these raunchy and riotous lil morsels of satanic glee.

  • Rachael Carnes: The Naughty List

    There's a month of planning and prep to go before Christmas and I'm already low-key exhausted. Tinsel the Elf, I feel ya: Spreading holiday cheer is tiring stuff. All that emotional labor, all those thankless tasks... The occlusion of Tinsel with a red-hot mob delights in this Xmas short, with zippy dialogue and terrifically fun characters. A welcome break in the holiday fray, and would be a delight to any audience. Thanks, Bob!

    There's a month of planning and prep to go before Christmas and I'm already low-key exhausted. Tinsel the Elf, I feel ya: Spreading holiday cheer is tiring stuff. All that emotional labor, all those thankless tasks... The occlusion of Tinsel with a red-hot mob delights in this Xmas short, with zippy dialogue and terrifically fun characters. A welcome break in the holiday fray, and would be a delight to any audience. Thanks, Bob!

  • Rachael Carnes: A MOST BRIEF AND ECONOMICAL THEATRICAL TEXT OFFERING AN INTERPRETATION AND VISION OF A ONE MATTHEW WEAVER, PLAYWRIGHT, JOURNALIST, BUT MOST IMPORTANTLY, FRIEND AND WHAT HE MEANS TO SO MANY ON THE ANNIVERSARY OF HIS 40TH REVOLUTION ASTRIDE THE CELESTIAL B-

    Aw, for real! Franky has put into words exactly how it feels to be friends and colleagues with Matthew Weaver! Happy Birthday, Matthew, so glad you were born.

    Aw, for real! Franky has put into words exactly how it feels to be friends and colleagues with Matthew Weaver! Happy Birthday, Matthew, so glad you were born.

  • Rachael Carnes: DEATH IS A BUMMER

    Well, Halloween may be in the rearview for this season, but it's never too early to start preparing for next year, and this spooky/fun short is no trick all TREAT. I spit-snorted several times at the Middle School quips as Max and Tom fumble to grasp and cope with what goes bump in the night. A funny, surprising, evergreen gem.

    Well, Halloween may be in the rearview for this season, but it's never too early to start preparing for next year, and this spooky/fun short is no trick all TREAT. I spit-snorted several times at the Middle School quips as Max and Tom fumble to grasp and cope with what goes bump in the night. A funny, surprising, evergreen gem.

  • Rachael Carnes: Simple Black Marks

    A succinct expression of the passion and grief that educators carry — Hoping that their clear voice of reason might rise up above the fray of conspiracies and terror and politicking — And knowing that it probably won't. Still, they try. Will the light they cast on words bigger than any one of us help illuminate a young person's future? Maybe. Let's hope it's still possible.

    A succinct expression of the passion and grief that educators carry — Hoping that their clear voice of reason might rise up above the fray of conspiracies and terror and politicking — And knowing that it probably won't. Still, they try. Will the light they cast on words bigger than any one of us help illuminate a young person's future? Maybe. Let's hope it's still possible.

  • Rachael Carnes: In The Whole History of Hi-Q

    Having chaperoned more High School thespian and debate tournaments than I can count (Sorry, Gresham, OR Days Inn - I really did *try*, and I understand the lifetime ban.) Anyway - Wow. Gatton nails the culture of teen intellectual/creative competition. Ugh. What a weird world, populated by talented and gifted kids on the edge of breakdown and backstabbing, seemingly always. This dynamic piece is funny as hell, and simmers with a subtext about the frustrations of youth that seem evergreen, and the shortcomings of any system that would try to codify their light. A perfect scene for teen actors.

    Having chaperoned more High School thespian and debate tournaments than I can count (Sorry, Gresham, OR Days Inn - I really did *try*, and I understand the lifetime ban.) Anyway - Wow. Gatton nails the culture of teen intellectual/creative competition. Ugh. What a weird world, populated by talented and gifted kids on the edge of breakdown and backstabbing, seemingly always. This dynamic piece is funny as hell, and simmers with a subtext about the frustrations of youth that seem evergreen, and the shortcomings of any system that would try to codify their light. A perfect scene for teen actors.

  • Rachael Carnes: THE DEFECTORS

    Deeply humane, creative, theatrical, with dialogue that leaps off the page. Malakhow's exploration of a timely and important topic - through the lens of online community - is both relevant and relatable. A fresh take on a topic that we don't talk about enough. Bravo.

    Deeply humane, creative, theatrical, with dialogue that leaps off the page. Malakhow's exploration of a timely and important topic - through the lens of online community - is both relevant and relatable. A fresh take on a topic that we don't talk about enough. Bravo.

  • Rachael Carnes: The Care and Feeding of Small Animals

    How can those entrusted with the future have a hope to lead, if their worlds only know limitations? The magnetic language cadence and multi-faceted characterization - the way the world of the play slowly builds - feels so theatrical. Deeply imagistic one moment, then hinging steeply to embrace the nuances and subtleties of connection, underscore the writer's keen facility for the dynamics of size and scale. A terrifying, breathtaking, and - human - play.

    How can those entrusted with the future have a hope to lead, if their worlds only know limitations? The magnetic language cadence and multi-faceted characterization - the way the world of the play slowly builds - feels so theatrical. Deeply imagistic one moment, then hinging steeply to embrace the nuances and subtleties of connection, underscore the writer's keen facility for the dynamics of size and scale. A terrifying, breathtaking, and - human - play.

  • Rachael Carnes: The Morning After (Ten Minute)

    This play crackles and hums, deftly embracing a masterwork and turning it on its ear. Donnelly's cool hand, clever dialogue and brilliant set-up would make this one a delight to engage with for any creative team, and a favorite for audiences. Simply delicious writing.

    This play crackles and hums, deftly embracing a masterwork and turning it on its ear. Donnelly's cool hand, clever dialogue and brilliant set-up would make this one a delight to engage with for any creative team, and a favorite for audiences. Simply delicious writing.

  • Rachael Carnes: WYWH

    What a delightful play! Creative premise, sparkling dialogue, timeless theme. The characters feel so real, and would give any creative team plenty to explore, in this richly-detailed comic world. Moran finds wonderful connections between 1881 sepia and contemporary Teenagers. Just lovely!

    What a delightful play! Creative premise, sparkling dialogue, timeless theme. The characters feel so real, and would give any creative team plenty to explore, in this richly-detailed comic world. Moran finds wonderful connections between 1881 sepia and contemporary Teenagers. Just lovely!