Recommended by Dave Osmundsen

  • For Leonora, or, Companions
    30 Aug. 2020
    A bittersweet story about two lonely young women on the autism spectrum who find a common ground over the Oz books (both those written by Baum and not). Like the best of the fantasy genre, this play fuses real world emotion with a world that is fantastical and beguiling. Despite the whimsy, there is a palpable sense of melancholy as the play explores growing up and being left behind. A gorgeously written, whimsical, and charming story that is both intimate in its simplicity and epic in its theatricality. I cannot wait to see this play produced!
  • Drain
    25 Aug. 2020
    A horrifying speculative political thriller that humanizes those who are unjustly pursued and demonized by an authoritative figure. The final moments are bone-chilling and disturbing. Well done, Scott!
  • Wad
    22 Aug. 2020
    A darkly humorous, playfully theatrical, and unpredictable play about our capabilities of lying and listening to each other. Nyce and Jim develop an unusual bond throughout the piece, and playwright Keiko Green smartly dolls out information in a way that both develops them and stays ahead of the audience. I also appreciated how this play takes on death row (the execution process explanation with the puppets is hilarious, too). As someone who appreciates crime dramas that humanize those involved, I look forward to seeing where this piece goes!
  • Persephone
    22 Aug. 2020
    SUCH a beautiful play that is emotionally resonant and theatrical. The final moments are stunning.
  • THE FUTURE
    16 Aug. 2020
    I love how this play bucks the idea that standardized testing can place any worth on a person. Mariah is an incredibly smart young person whose intelligence isn't served by the system that purports to help her. I also love how Teri gradually breaks down her walls to see Mariah for the person she really is, and what she ultimately wants to accomplish. Sympathetic and funny, "The Future" humanizes those behind the standardized testing that has unfortunately become a dominant part of our education system. Two great roles for actresses to boot!
  • Why the Hell is it so Hard to Write a Recommendation on NPX? A Monologue
    11 Aug. 2020
    The phrase that comes to mind after reading this outrageous, frustrated, all-too-relatable and hilarious monologue: "But actually though!"
  • Our Black Death: Plagues, Turnips, and Other Romantic Gestures
    10 Aug. 2020
    A darkly funny, wildly entertaining, and delightfully menacing tale of love in the time of plague. Carpenter's characters are often manipulative and selfish, but they are consistently likable and sympathetic. I especially found Bit's yearning to learn more about the world beyond her poignant. Although frighteningly relevant to the current pandemic, this is a play that asks deeper questions about how our behavioral and moral codes alter when the world is on the verge of destruction, and how they intersect with gender and class. Well worth a read!
  • End Days
    3 Aug. 2020
    I love how this play starts with the broad "types"-- the fanatically religious mother, the absent-minded father, the droll and eye-rolling daughter, the quirky boy next door. But Lauder doesn't settle for types. She subverts the audience's expectations throughout the play by unveiling the depths of her characters. The character of Sylvia, the Evangelical mother, particularly stood out to me. Rather than a head shrieking fire-and-brimstone, Laufer poignantly depicts her as a woman desperate to believe in something larger than herself, and wants others to believe. A warm, funny, and unexpectedly thought-provoking play!
  • CODE OF THE ROAD
    1 Aug. 2020
    Adam Seidel’s intense portrayal of a man losing his grip on reality is riveting, devastating, and heartbreaking. Plenty of great dark humor, too, like the best of Seidel’s work. The second act in particular provides plenty of exciting theatrical opportunities. I can’t wait to see this piece performed, on Zoom or in person!
  • Limits
    22 Jul. 2020
    This is a relentlessly dark piece, and certainly not for the faint of heart. But DC Cathro has cleverly constructed this play almost like a mystery. You can't help but slowly lean into it as the story progresses. There are also a few neat, expected twists along the way. It also discusses the rape of a gay man, which is a topic we need to discuss more. Very powerful piece!

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