“ Malakhow gives us an intimate and dynamic relationship between two young men who uncover and realize the trauma they have suffered at the hands of the same person in acutely different ways. It is not always a pretty picture--Malakhow often goes for the messy and the complicated, particularly in the second half of the play. But the depth of emotion here is outstanding, and you feel as if you have become friends with Peter and Marcus by the end of it. A lovely, heart-wrenching, and quietly moving play. ”

“ A light, breezy, yet poignant story about getting over one's fears to attain what one wants most in life. DeVita's dialogue is sharp and pointed, but it's not afraid to tap into the complex emotions of its protagonist. DeVita is also willing to let his protagonist be flawed--Kyle is often short-tempered and snarky, but he's also dedicated to his work (for good and for ill) and deeply cares for his friends and co-workers. His relationship with Dodo in particular feels honest and raw. This is a play that's not afraid of sentimentality, but never feels false or schmaltzy. ”

“ I saw a reading of this play via the Notre Dame College Performing Arts New Works Festival.

A very charming, hilarious, and boundlessly creative mashup of Alice in Wonderland and Peter Pan. This play teaches young audiences about critical thinking and the importance of making the most of the time we have. Simple to stage, this play is perfect for TYA touring companies! ”

“ A gentle slice-of-life piece filled with optimism, hope, and longing. Optimism and hope for a new administration, yes. But longing for the people the pandemic has separated us from. A lovely and intimate play (even as it crosses state lines). ”