This work of art fires and succeeds on so many levels my head is still spinning from the magical rush of wonder it gave me. A deeply affecting, wildly inventive spin on the Pygmalion and Galatea myth – positing William Shakespeare was actually an automaton created to become QE1's consort –it captures its Elizabethan era so perfectly the anachronisms become a natural part of the world Cross has created, and while all the characters are brilliantly conceived, I defy anyone not to fall in love with the Automaton: he is the irresistible heart and soul of this play.
This work of art fires and succeeds on so many levels my head is still spinning from the magical rush of wonder it gave me. A deeply affecting, wildly inventive spin on the Pygmalion and Galatea myth – positing William Shakespeare was actually an automaton created to become QE1's consort –it captures its Elizabethan era so perfectly the anachronisms become a natural part of the world Cross has created, and while all the characters are brilliantly conceived, I defy anyone not to fall in love with the Automaton: he is the irresistible heart and soul of this play.