Recommended by Doug DeVita

A fascinating look at seduction, lust, and inexperience – at The Eagle, of all places – that moves and builds momentum like a modern chamber musical. At once both funny and poignant, it's a wonderful showcase for an older and younger actor.

Using heightened language, Ken Kurtz' elegant little jewel is a constantly tilting dance of seduction, "a kind of martial minuet" as Kurtz describes in his stage directions, between Napoleon and Tsar Alexander as they attempt to "gobble up Europe" – the use of food as a metaphor is exquisite – and each other. An opulently stylish period piece, it's also a great showcase for two actors and a dream job for designers.

A truly stylish, theatrical equivalent of a "popcorn movie," Abley captures the feel of Los Angeles, and Hollywood in particular, in this film-noirish tribute to all things movie. Endlessly fascinating, like any crack entertainment "Popcorn Girl" leaves you on the edge of your seat as the intricate plot unfolds, always one step ahead of you, and always good, thrilling fun.

Daniel Holzman's "There Will Always Be A Moon Over Marin" makes quite a powerful statement about gentrification; the horror in this elegant chiller comes as much from what's not being said as from what is, and the fog engulfing everything is both atmospheric, and metaphoric. Creepy, intense, and provocative.

Jesus God, what a powerful piece of theatre! And oh, so horrifyingly possible if, God forbid, this country continues down the road we're on. That alone is a reason for Daly's work here to be produced. Loudly. And often.

3 moms, 1 doll, and ten minutes of scathingly funny social commentary, with an unexpectedly touching twist at the end that puts it all in sharply defined perspective. Terrific.

"Dream House" is a heartbreaking, beautifully written TYA monologue that packs quite a punch. As is usual for Wyndham, his clear-eyed characterizations and natural dialogue elevate an already high-stakes situation, and gives whoever gets to perform this piece a gift to share with those of us lucky enough to see and hear it.

What delicious fun! Zaffarano spins a mistake made by a careless waiter – uhm... server – into a piece of frantically funny gold, all the while making pointed comments about relationships in the age of social media, with a wonderful twist at the end.

Wonderful! George Sand musing to Chopin while being painted by Elizabeth Vigee LeBrun (in rhymed couplets), this charming gem is mini-opera without singing, yet it sings beautifully.

A short play of such poignantly aching charm, "A Kiss is Just a Kiss" tickles the funny bone as deeply as it touches the heart, and one finds oneself rooting for these two not-quite-star crossed potential lovers. Lovely.