Recommended by Asher Wyndham

  • Asher Wyndham: They Call Me Tony

    Exploding with righteous anger and truth about how crappy humans are to animals like tigers, this monologue would make for an outstanding performance, complete with make-up and costuming. It's also a great physical role for an auditioning actor.

    Exploding with righteous anger and truth about how crappy humans are to animals like tigers, this monologue would make for an outstanding performance, complete with make-up and costuming. It's also a great physical role for an auditioning actor.

  • Asher Wyndham: Elephant Dance

    We need more environmental plays like this one on animals - and what they mean to us - forcing us to see our world in a different way, enlightening us about the unjust treatment of our four-legged creatures in and out of captivity. Definitely learned something that I didn't know -- about the 'elephant dance' in captivity. And it really makes me think about our own 'captivity' in capitalism.

    We need more environmental plays like this one on animals - and what they mean to us - forcing us to see our world in a different way, enlightening us about the unjust treatment of our four-legged creatures in and out of captivity. Definitely learned something that I didn't know -- about the 'elephant dance' in captivity. And it really makes me think about our own 'captivity' in capitalism.

  • Asher Wyndham: Pandemic Birthday Card

    A powerful testament to the isolation that many of us felt during the pandemic and the loneliness and longing for connection with family members. Does this grandpa survive? Will he ever reunite with his grandson? It uplifts you with its heartfelt message but reminds you that COVID is not yet over, still ruining - not reuniting - family. A good choice for a theatre festival on the pandemic.

    A powerful testament to the isolation that many of us felt during the pandemic and the loneliness and longing for connection with family members. Does this grandpa survive? Will he ever reunite with his grandson? It uplifts you with its heartfelt message but reminds you that COVID is not yet over, still ruining - not reuniting - family. A good choice for a theatre festival on the pandemic.

  • Asher Wyndham: Scream

    A fun existential two-hander between a God-like Void and a Voice representing humanity. It crackles with dark humor with all its talk about the cosmos, while also being serious in its exploration of mental health and humanity. Check it out. So easy to produce.

    A fun existential two-hander between a God-like Void and a Voice representing humanity. It crackles with dark humor with all its talk about the cosmos, while also being serious in its exploration of mental health and humanity. Check it out. So easy to produce.

  • Asher Wyndham: All in Good Time

    A great two-hander to play off that awkwardness of an unexpected reunion of former teenager lovers. The scene set in 1960s JN is so fully realized with its richness of backstory and past and present relationships. The writing is feels so natural, takes its time just perfectly.

    A great two-hander to play off that awkwardness of an unexpected reunion of former teenager lovers. The scene set in 1960s JN is so fully realized with its richness of backstory and past and present relationships. The writing is feels so natural, takes its time just perfectly.

  • Asher Wyndham: Free! Powerful Muscles Fast!

    More plays and monologues like this, please, addressing male body image and social expectations. It's a topic not explored enough on page and stage.

    More plays and monologues like this, please, addressing male body image and social expectations. It's a topic not explored enough on page and stage.

  • Asher Wyndham: NOT MY TALE TO TELL: A MONOLOGUE

    Yes, every bit of this monologue calling out anti-choice movement. Rarely do we get a perspective from caretakers and doctors -- for Latham's character it's deeply personal. A must for any festival on abortion and reproductive freedom.

    Yes, every bit of this monologue calling out anti-choice movement. Rarely do we get a perspective from caretakers and doctors -- for Latham's character it's deeply personal. A must for any festival on abortion and reproductive freedom.

  • Asher Wyndham: Superheroes Aren't Allowed to Fuck (a monologue)

    Wow, a powerful condemnation of sexual exploitation and toxic masculinity. I'd love to see this in a festival on consent or superheros/cosplay.

    Wow, a powerful condemnation of sexual exploitation and toxic masculinity. I'd love to see this in a festival on consent or superheros/cosplay.

  • Asher Wyndham: 2 Bdrm 1 Bath

    Young couples married or not who live together will recognize themselves in Floyd-Priskorn's spot-on romantic comedy. We have everything here, the highs and lows, ups and downs, the bliss, the squabbles in bedroom and bathroom. Perfect. Having stagehands on stage during the performance, not just during scene changes (if any), reacting along with audience members, would be hilarious. Yes, yes, let's add stagehands under Character List.

    Young couples married or not who live together will recognize themselves in Floyd-Priskorn's spot-on romantic comedy. We have everything here, the highs and lows, ups and downs, the bliss, the squabbles in bedroom and bathroom. Perfect. Having stagehands on stage during the performance, not just during scene changes (if any), reacting along with audience members, would be hilarious. Yes, yes, let's add stagehands under Character List.

  • Asher Wyndham: My Summer of Cypress Gardens (Monologue)

    For those who never grew up in the South during Jim Crow, Baker's monologue will leave a lasting impression on you. A recollection of a family vacation before the days of Disney World, a white gay senior reflects on childhood along the countryside, down the highways, reflecting on the ugliness of segregation. Honest, candid, all told with great description.

    For those who never grew up in the South during Jim Crow, Baker's monologue will leave a lasting impression on you. A recollection of a family vacation before the days of Disney World, a white gay senior reflects on childhood along the countryside, down the highways, reflecting on the ugliness of segregation. Honest, candid, all told with great description.