Recommended by Asher Wyndham

This is a meal of a ten minute play. So much to chew on in respects to inter-generational conflict, politics and voting. The playwright has structured a tight two-hander that's perfect for any festival around election time.

A whirlwind of imagery, a descriptive power that we get from Busser. It will have your audience laughing nonstop.10/8/24

If you're auditioning with a minute monologue and great with facial expressions and physical comedy, then try out this monologue.

This monologue perfectly captures the loss of a loved one due to a breakup and how it can be a kind of mourning like someone who passed away. There's such honesty here, a loneliness, with a disregard of anyone else's opinion that an audience will find so relatable. Where is this taking place?.who knows, it's up to the director and actor to decide. 10/05/24.

A monologue that packs a punch. The suspense is in knowing what resulted in her no longer being a nun, what was her transgression. Her new life, her truth is uplifting, and reminds us when life sets you on a different path it may lead to happiness. A great role for a monologue festival or one on religious themes. This monologue can appeal to audiences all over world, regardless of culture or country.

Norah's outburst will have audience clapping before the play ends. Women will relate to this even if they work in a different industry/company.

I would love to see this pumpkin roll around on stage and hear this rant about Halloween. A fun role for exploring physicality and voice. Can be played by a teen or an adult. Consider it for your Halloween showcase.

This comic monologue really makes you think about relating to people who voted against your rights, who don't have a track record of support. Should you save face to not make a scene or raise your voice and make a scene? Even on a wedding day? This monologue will make a great audition piece for a queer performer.

I got the chills. The creepiness settles in, the surprises and reveals keep you on the edge. This play deserves many productions during the Halloween season.

I love this, a monologue from the perspective of a playwright on the creative process and working in theatre. More of this, playwrights. Creative vengeance, many of us writers can relate.