Recommended by Asher Wyndham

Do ghosts mourn or cry? Do they miss those they've left behind? Do they follow us, wonder about what's going on every day? Do they have the power to influence our lives? How do they show their love for us, and how do we do the same for them? You might wonder all that after reading this beautiful play. It plays with space and time, there's a fluidity to everything going on. Gorgeous writing, heartfelt.
Derserves multiple productions.

Tight dramedy. Don't need much to put on this clever one minute play.
If you know anyone that dismisses one minute theatre as slight entertainment or skits, then have them check this out.

The black stage becomes the blackness above Earth in this uplifting monologue. Lawing creates again a character you haven't seen and heard before -- the first Russian woman in space. He displays an intensity of emotion like with other monologues, esp the one about Emily Dickinson. This one is about dream fulfillment, sexism, imagination, ambition, feminism -- so much to consider and appreciate in this beautiful monologue.

Another unforgettable date play by Bultrowicz!
A fantastic use of personification to address its environmental themes.
An absurdist comedy that should be considered for any festival on climate change and Earth Day.

Cowabubga! This solo play for a space cowboy with slimy aliens is so much fun!
What a fun challenge for director and designers.
There's girrrl power and indomitable spirit.
I'd love to see this live!

There's a heartache in this play that I felt deeply. There's a longing for authentic (even if temporary) companionship (with others who share your name), communication (with the help of party games) and community (in a party room at Bar 'n Grill). Our protagonist, bored by her job and unfufilling life, becomes a clever stand-in for many of us, disenchanted fools of capitalism.
There's a hopefulness, an optimism that I love in this play.
You may find kinship with Tracy and may get inspired to host your own party!
Easy to produce. Check it out.

King tackles inter-generational gay love and sex in this perfectly-paced drama. Older man and young man getting it on - it's a turn-on for many in the community, and it also raises a legitimate question: Could this kind of relationship move beyond lust into a sustained, committed relationship? Like all relationships with age gaps, this play tackles issues of communication, trust, honesty, finance, past relationships and sexual behavior - and it's at times romantic, blissful, sexy, kinky, poignant, sad, depressing. This play is emotionally complex, and an audience should find this nothing but compelling.

More Trevor the Vampire please!
Sweet little play with surprises.
If you're producing a one-minute or short play Halloween showcase, consider this.

On small scale, one scene, one place (takes place in studio apartment in Queens), but this play is so big on issues and emotions that it breaks the walls and makes this universal. This play holds up a full-view mirror for gays, letting us see our insecurities, traumas, and self-concept shaped by toxic masculinity -- and shatters it. This play, yes, is sexy, playful, kinky, shirts come off, we see nips, but shit gets real -- real connection, understanding, empathy, an intimacy that's transcendent, beautiful. PRODUCE THIS!

Ridicuously funny and campy, but also smart and serious at the same time.
It's a dark comedy with strangulation by leggings that's also a critique of late-stage capitalism and its negatives effects on stay-at-home and working women.
This will appeal to anyone -- not just women - who are working a dead-end job meeting metrics and deadlines, those post-college disenchanted 20-30 somethings that want more out of life, who want to follow their passions.