Recommended by Nora Louise Syran

Hilarious piece of situational comedy for four actors. A super satisfying ending, great moments for fun, physical humor and the dialogue just zips along. Love the title. Brava, playwright! (Oct 29, 2024)

A tightly woven glimpse of three very real characters of the American West and the very real struggle it was to reach "California" and all it promised. Loved Sal's instinctive, genuine care for Oliver. The piece stands on its own, but the audience will want to know more. Brava! (Oct 29, 2024)

Love it. Poor presenter... these dwarves certainly need a creative outlet for their pent up Predator predilections! Thankfully, Hollywood is calling! Brava playwright. Great fun. (Oct 29, 2024)

Do we ever know if we've the 'real thing' in our lives? "Sort of makes you think, doesn't it?" It most certainly does. Dark, funny, easy to stage. Bravo! (Oct 29, 2024)

Love the premise which Sam Heyman sets up and delivers. The staging will be great fun for a designing team and the audience will be left...in the dark. Spooky! (Oct 28, 2024)

I was privileged to hear a reading of this short (and funny!?) folk horror play recently, just in time for spooky season. Love the hotel horror trope and how Jacqueline Floyd-Priskorn weaves it into something completely her own, including her deft touches of magic and humor. Brava!

I had the good fortune to see a production of this play recently and was delighted to see a dramatic piece crafted specifically for teenage actors (primarily girls)--characters who are relatable, likeable and unlikeable, all caught up in a unique ghost story which is compelling and moving. It's also funny just where it needs to be and will elicit squeals of delight and giggles from the audience--in my case a group of girls--in the dénouement. Brava! (Oct 26, 2024)

Life glimpsed through a key-hole. Like Degas, Soltero-Brown is very much focused on the dynamics between men and women even when the focus seems to be on the female. He presents a private conversation without clear context in which both are suffering and not fully connecting. There's a film-noir aspect in its depression, femme fatale, cynical male hero. But is it not the two working through an episode together? Read it for yourself.

Smart, funny, a little off-the-wall and charming all at once. I love Charles Scott Jones's use of naturalistic metaphor, dialogue and that final ramping up of the tension just before...read it, find out for yourself.

Such a fun, physical play with plenty of room for the three actors to have a ball! Bravo.