Aly Kantor's range is captivating. In this hauntingly funny piece, Kantor, like Mary Shelley and her Frankenstein, brings "a modern Prometheus" to the stage, demonstrating in the series of scenes that clip along, all the Titan's love and care for humanity and all the pain. Over and over again. And like the scream of Edvard Munch at the end, we're left feeling just as vulnerable, waiting for the pain to start all over again.
Aly Kantor's range is captivating. In this hauntingly funny piece, Kantor, like Mary Shelley and her Frankenstein, brings "a modern Prometheus" to the stage, demonstrating in the series of scenes that clip along, all the Titan's love and care for humanity and all the pain. Over and over again. And like the scream of Edvard Munch at the end, we're left feeling just as vulnerable, waiting for the pain to start all over again.