Moran crafts a personal and yet epic tale of a "country" that "won't just kill you, it'll bury you to boot." The Yukon comes alive and yet remains as frozen as Joe, his daughter, Jessie, and the unexpected visitor, Travis, are in their respective guilt, regret and shame. Alaska allows them to hear themselves think. I particularly appreciate the frozen-magical-realistic-ghostlike figures and the use of the radio to highlight the isolation. I'd love to see the set design for this piece and a production of course, as well.
Moran crafts a personal and yet epic tale of a "country" that "won't just kill you, it'll bury you to boot." The Yukon comes alive and yet remains as frozen as Joe, his daughter, Jessie, and the unexpected visitor, Travis, are in their respective guilt, regret and shame. Alaska allows them to hear themselves think. I particularly appreciate the frozen-magical-realistic-ghostlike figures and the use of the radio to highlight the isolation. I'd love to see the set design for this piece and a production of course, as well.