Recommended by Jacquelyn Floyd-Priskorn

  • Jacquelyn Floyd-Priskorn: Where We Go Together or The Flashlight Play

    This is so wonderful and strange. And honestly an important story to tell. Even though the story will change every night, the fact that a story is told and experienced is so important. This is for a strong ensemble that is very comfortable with crowd work as well as just being left to the whims of the crowd while performing. This play will be talked about for ages, and the stories will never be the same...and that's exciting.

    This is so wonderful and strange. And honestly an important story to tell. Even though the story will change every night, the fact that a story is told and experienced is so important. This is for a strong ensemble that is very comfortable with crowd work as well as just being left to the whims of the crowd while performing. This play will be talked about for ages, and the stories will never be the same...and that's exciting.

  • Jacquelyn Floyd-Priskorn: Sin - One Act Play

    At first I thought this was going to be a modern WHO'S AFRAID OF VIRGINIA WOOLF? But it was so much darker. And so very timely. The powers struggle between those on top and those hoping to get there (and stay there) is so dangerous. This is a very upsetting piece, but it ends with a little bit of hope in regaining power for the weak and voiceless.

    At first I thought this was going to be a modern WHO'S AFRAID OF VIRGINIA WOOLF? But it was so much darker. And so very timely. The powers struggle between those on top and those hoping to get there (and stay there) is so dangerous. This is a very upsetting piece, but it ends with a little bit of hope in regaining power for the weak and voiceless.

  • Jacquelyn Floyd-Priskorn: The King in Yellow

    This is such a powerful and eerie ensemble play. It begins with normal characters. Actors and artists with archetypal needs and goals. And as the story unfolds, their desires become twisted. The ending of this play feels a bit like the powerful stomp dance of Rite of Spring. It will thunder through the theatre and echo through audiences minds for ages.

    This is such a powerful and eerie ensemble play. It begins with normal characters. Actors and artists with archetypal needs and goals. And as the story unfolds, their desires become twisted. The ending of this play feels a bit like the powerful stomp dance of Rite of Spring. It will thunder through the theatre and echo through audiences minds for ages.

  • Jacquelyn Floyd-Priskorn: coming out

    Omg, this play starts of like a drama, but suddenly becomes an over the top dark comedy and I am here for it! This is just so weird and funny and with a powerful message. Or messages? Can't forget how important it is to have a homosexual to dress you for all of your important church events!

    Omg, this play starts of like a drama, but suddenly becomes an over the top dark comedy and I am here for it! This is just so weird and funny and with a powerful message. Or messages? Can't forget how important it is to have a homosexual to dress you for all of your important church events!

  • Jacquelyn Floyd-Priskorn: New Girl in Town (a one minute play)

    New Girl is SO relatable to new dog parents! So much energy, life...but also love. It will all be worth it! This is adorable.

    New Girl is SO relatable to new dog parents! So much energy, life...but also love. It will all be worth it! This is adorable.

  • Jacquelyn Floyd-Priskorn: Can't

    It hurts that Lucy's voice is so familiar. However, I see in her breaking point a possibility of hope? Perhaps a turning point instead of a full break? This would be an important monologue for young people to see and possibly have a talk back afterward. Maybe they see something darker in Lucy's "can't." But maybe they can turn instead of break themselves.

    It hurts that Lucy's voice is so familiar. However, I see in her breaking point a possibility of hope? Perhaps a turning point instead of a full break? This would be an important monologue for young people to see and possibly have a talk back afterward. Maybe they see something darker in Lucy's "can't." But maybe they can turn instead of break themselves.

  • Jacquelyn Floyd-Priskorn: Midnight Mass (Monologue)

    This is such a heart breaking story. Hal held on to his beliefs, despite the pain inflicted upon him. But he also held on to his pain. If only more people were as observant as Hal. But more importantly, if only more people looked out for Hal and kids like him. Just shattering.

    This is such a heart breaking story. Hal held on to his beliefs, despite the pain inflicted upon him. But he also held on to his pain. If only more people were as observant as Hal. But more importantly, if only more people looked out for Hal and kids like him. Just shattering.

  • Jacquelyn Floyd-Priskorn: Oona's Me Party

    Aw! Oona starts out as the worst improvisor...I mean, friend, ever by negating all of Britney's choice in their pretend tea party. But I adore how she is self aware and keeping friends and friendships are more important than controlling the narrative! Cotton candy tea might be on my next tea party menu!

    Aw! Oona starts out as the worst improvisor...I mean, friend, ever by negating all of Britney's choice in their pretend tea party. But I adore how she is self aware and keeping friends and friendships are more important than controlling the narrative! Cotton candy tea might be on my next tea party menu!

  • Jacquelyn Floyd-Priskorn: What A Friend We Have In Satan: A Monologue

    Uh-oh. Satan is making sense! Even religion is trying to be a two-party system. Christians vs Satanists? This is definitely a monologue to make audiences think. And that is the most important thing voters can do as well!

    Uh-oh. Satan is making sense! Even religion is trying to be a two-party system. Christians vs Satanists? This is definitely a monologue to make audiences think. And that is the most important thing voters can do as well!

  • Jacquelyn Floyd-Priskorn: The Inexplicable Chaos Factor of Mia Gregory

    This play is so SMART. Literally and artistically. As if the theatre kids came to show the emotionally closed off mathlete how to properly and effectively live with emotions and other emotional people. There are so many great roles, even amongst the "variables." Your school will LOVE to produce this play!

    This play is so SMART. Literally and artistically. As if the theatre kids came to show the emotionally closed off mathlete how to properly and effectively live with emotions and other emotional people. There are so many great roles, even amongst the "variables." Your school will LOVE to produce this play!