“ A stunning, aching meditation on life, love, and friendship, and how sometimes the relationships we leave behind and the choices we make leave trauma and regret. Rawlings beautifully captures the heartache of abandonment when it's impossible to quantify the betrayal of a friend being passed over for marriage, dashing the dreams of fantasy scenarios of "if we're not married by a certain date we'll marry each other." Expertly crafted, with a beautiful use of the river motif intertwined with the maid of honor's speech. Breathtaking work. ”

“ A taut ten minute play that explores the preoccupations that we find to avoid the things we really should be thinking about. Chelsea is a great, deep character with her laser focus on rescuing a feral cat from coyotes that is ultimately a metaphor for her own anxiety. ”

“ A crackling, sparkling piece that begins with the audacious scenario of a reunion between former hostage-takers and their victims in a cabin in the Pacific Northwest, that feels immediate, urgent, and necessary right now. Max Gill gives a virtuoso take on what might have devolved into sitcom-land, by developing an ever-changing dynamic that rumbles with menace at every turn, as the unpredictable clash with the fearless and back again. I could see this produced across the country. Grab it, now. ”

“ Do you know how hard it is to make adult friends who share your interests? It's really, really hard: everyone's got their own thing, and family, and baggage... So you meet someone new and they have everything you are looking for, with a few minor quirks, such as the... er... satan worship. But that's fine, we can just fake it for the sake of having some new adult friends, right? That's the situation Daniel Prillaman richly explores in this crackling short, as a precocious six-year-old calls out the flaws with mommy's new friends. Terrific as usual from Prillaman. ”