Recommended by Neil Radtke

As a theatre lover, I laughed out loud at the brilliant collision of real estate and community theatre chaos—it’s fast, witty, and full of delightful musical parody. The play is a love letter to over-the-top dramatics and family eccentricity, while still delivering a clear, comedic payoff. If you’ve ever been in a show (or tried to sell a house), you’ll feel hilariously seen.

I highly recommend Sugar by Jennifer O’Grady. As a reader, I was immediately pulled in by the slow-burn tension and the sense that something more urgent lurked beneath a simple request for sugar. The play is both suspenseful and deeply human, revealing the quiet bravery it takes to reach out—and the life-saving power of doing so.

I was deeply moved by Baby Girl — it's a tender, beautifully written play that captures the emotional complexity of a father preparing to give his daughter away. The dialogue is heartfelt and authentic, with just the right blend of humor and poignancy. I was especially struck by the final reveal, which delivers an emotional punch that lingers long after the blackout. It’s a touching piece that any actor or director would be proud to bring to life.

I absolutely loved R.P.S. 10,000 B.C. — it's a clever and hilarious short play that imagines the prehistoric origins of Rock-Paper-Scissors with perfect comic timing. The dialogue is sharp and playful, and the simplicity of the setting makes it an ideal piece for festivals or classroom performances.

"I, Voyager 1" is a short but powerful piece that stayed with me. It’s amazing how Steven G. Martin can give such emotional depth to a space probe billions of miles from Earth. I felt for Voyager—its loneliness, its questions, its quiet pride. This is science fiction with a soul.

SELFISH is a raw, hauntingly honest monologue that moved me deeply with its vulnerability and emotional clarity. As Jaye wrestles with the paralyzing contradiction of wanting to disappear without causing harm, I found myself aching for their peace and fiercely empathetic to their pain. Jacquelyn Floyd-Priskorn’s writing is unflinching and poignant—a stunning portrait of internal struggle that lingers long after the final line.

I absolutely loved "Monkeys in a Zoo"! The characters were so alive and real, and the story moved so quickly yet still packed an emotional punch. Danielle Wirsansky’s script made me cheer for Reba’s incredible bravery. I would recommend this play to anyone who loves powerful, character-driven storytelling.

“VISITING” is a deeply moving and thought-provoking story that took me by surprise. In just a few minutes, it explores loss, kindness, and unexpected human connection in a way that feels both raw and comforting. It’s the kind of story that stays with you and makes you reflect on how we impact others, even strangers.

I was completely captivated by Inside by Rachel Feeny-Williams. The way the play explores identity and trauma through the dynamic between Katie and Kate is haunting and deeply moving. The writing is sharp and emotionally charged, and the minimalist set only enhances the psychological tension. It’s a powerful one-act that will stay with you long after the final blackout.

Steven G. Martin’s Clear, Concise, Professional is a sharp, engaging piece that showcases a seasoned writer’s breaking point with wit, fire, and clarity. The writing is crisp and character-driven, allowing Norah’s voice to ring with authenticity and power. I found the pacing, tone shifts, and emotional arc deeply satisfying and rich with opportunity. Also, who doesn't like to just let loose our frustration from time to time? Excellent.