Recommended by Claudia Haas

This is a delightful introduction to the fairies of Shakespeare. With wit and a great deal of silliness, we find four fairies trying to get their time onstage (and you know it's going to work). Burbano offers a clever answer to the old-age question of "Did Shakespeare write Shakespeare?" No, the fairies did. The roles are perfectly suited to young performers and I am betting there will be a few in the audience wanting to go further in discovering who these fairies are. It's enough of a teaser to make young people open the Bard's book.

I saw this at the Inge Festival and it packed a whallop. Boyle finds so much life and humanity in the act of dying that it leaves you broken-hearted. The reality of war is front and center. We meet two "enemies" and in the span of ten-minutes we watch them cling to life, crack a joke, try to eat - all life affirmations - before they die. Tragic and poignant, it provides two thoughtful roles for the actors.

Hold on to your hats, it's going to be a bumpy life. And it is. Goldman-Sherman explores role-playing, gender-identity, Trumpism, climate change and even ye olde yearly Merry Christmas card with candor and warmth. Written with a deft ear (and eye) for character nuances, Sherman lays bare a marriage that is the poster child for our times. Her couple radiates their humanity in all its foibles. Sometimes you're nodding your head and then suddenly - you want to clobber them. The two roles are multi-layered and a gift to the actors. It's one crazy, funhouse ride.

Goldman-Sherman deftly captures a marriage being changed. The 800 mile car ride with each other is their future together. Their son has just been dropped off at his college and the empty-nest syndrome has just begun. What is so telling is that what is said is a cover for what is left unsaid. Goldman-Sherman deftly captures this couple's vulnerability and fears as they strive to move forward. It's a beauty of a play about looking at a new chapter in your life. Better yet, it contains two strong roles for mature actors.

Lewis's play focuses on two things: the humanity of all in the great divide that is America today and the necessity of protest to enact change. Told through the lens of the Malheur National Wildlife Refuge, we are treated to snapshots of birders, ranchers, occupiers and a novice reporter who is trying to make sense of the protest. The Great Divide isn't meant to shock or condemn but to nudge people to engage in meaningful conversations. Conversations that are long overdue. It's currently being workshopped and I think it will be an important play in the years to come.

Kaplan covers a lot of ground in this holiday play. The premise is simple: two children play with a doll. Then it evolves into questions of role play, religion, God, commercialism, all the while keeping the childlike wonder of all their confusions. In the midst of a lot of snappy and clever dialogue, the broad theme of acceptance shines.

You have to love a play that has mall employees debating the worthiness of zombie Santa, Mrs. Claus baking brain-cookies for Christmas or Santa raping a reindeer. All are commercially viable and in the news. This play is perfect for all the alternative Christmas festivals popping up for those who have overdosed on candy canes and Hallmark.

Truly a chilling monologue basked in warmth and sweetness. Partain gives you Anna in all her teenage angst, her hopes and her so 16-year-old crush. You know her. You want to protect her. And that’s the point: we should be protecting all of them.

I know the original fairy tale well which focuses on the theme of good and evil. Stubbles stands this on its head and expands it to focus on race and privilege which works beautifully. 1930’s in the American south evokes rich folklore and the juxtaposition of this fairy tale with that time period heightens the play. It’s accessible and magical for young audiences and young performers alike.

This is a heart-stopping, theatrical work that will leave you at the edge of your seats. Skillman deftly combines themes of loss and trying to connect with the big picture of respecting our earthly home. She gives us two characters that are spirited, imaginative and deeply immersed in trying to do the right thing even when it goes haywire. A play with great depth touched by earthly sprites. I would dearly love to see this staged.