Recommended by Claudia Haas

  • Matthew Three Horn
    29 Mar. 2018
    A wonderfully engaging play that is about bullying but without the messenger delivering the "bully" message. Instead, it's young monsters figuring out their own place, dealing with their insecurities while trying to stay under the radar of ridicule. The humor draws you in and will engage young people. The honesty keeps you invested and the humanity (monsteranity?) of these characters win you over. A delightful ensemble youth play.
  • Family Planning
    27 Mar. 2018
    A mother-daughter conversation that had to happen but doesn't go where you think it will. It's a play for our times and a commentary not only on Trump's America, but on why there is a #MeToo movement. Poignant and sharp.
  • OPERATION SNIFF 'N SNUGGLE
    10 Mar. 2018
    And there aren’t enough therapy dogs to comfort what is happening in America. In one minute we move from “aww, cute” to “funny” to a “breathless sorrow.”
  • TEACH: ANOTHER MONOLOGUE THAT I SHOULDN'T HAVE TO WRITE
    6 Mar. 2018
    Where we are and where we are going... the most frightening thing is the reality of this monologue. A snapshot that could become reality in five minutes or tomorrow or in a year and it could happen over and over again. It should be included in every festival about gun control, black lives matter and school violence. Justification for killing a student: a terrifying “new normal.”
  • The Last Queen of Wonderland
    6 Mar. 2018
    This is not Alice in Wonderland. It is a wild ride of an adventure story that borrows liberally from the book but takes it in new directions. The play takes place before, during and after Alice's infamous trip to Wonderland. New plot points, twists, travel through time, travel via looking glass and the nonsense that is Wonderland are smartly rearranged to bring us a new story with a lot more intrigue than the original. Packed with action, this play is ideal for young audiences and families of all ages.
  • DITMAS.
    21 Feb. 2018
    Rescue. Sometimes it's serendipity and sometimes it's karma (the good kind).On the first page, the play looks like it could be a drunk-woman-meets-man-rescuing-her-in-a bar-comedy. And then it unveils itself to a reveal a delicate and intricate portrait of two people whose lives have intersected before in a way that affected one of them deeply. In just ten minutes, you see these people how they were as children, their life choices, and their lives today. And you wish them well. Because you know them and like them. The ending with the "new dog" is perfect. Read it. Stage it.
  • The Wish Stick
    17 Feb. 2018
    I just love this play. I love that Steve believes in this voodoo stick from New Orleans. I love that he wishes someone who loved him would love him and that he'd be great at his job. And I so love that he thinks these wishes came true because of a stick. The play is a smile; romance runs through it's veins with a tablespoon of silliness. The play is perfect for any short play festival but especially good for a festival celebrating love.
  • RAILWAY CHILDREN
    12 Feb. 2018
    It's hard to adapt a turn-of-the-last-century children's book in a way that is accessible to today's youth. Ashby does a splendid job of streamlining the book and focusing on the adventure. The play moves seamlessly and effortlessly from scene to scene helping to engage a young audience. The characters have heart, humor and sparkle. (I particularly loved the "mining" scene.) Young audiences will relate to the siblings plight of sudden poverty and the mysterious disappearance of their father. And they will root for all of them.
  • DINO KID: A MONOLOGUE WITH T-REX, STEGOSAURUS, BRONTOSAURUS, TRICERATOPS AND A FEW OTHER DINOSAURS
    10 Feb. 2018
    A little boy sets up his dinosaurs on a table, dreams of living with the dinosaurs and then breaks you. This monologue is hugely theatrical and the effects of bullying are done without ramming a message down your throat. Instead, Wyndham shows you the aftermath. It's highly effective and should go to drama teachers everywhere. One of the things theatre-for-youth does is foster empathy. This monologue does exactly that.
  • KODACHROME
    10 Feb. 2018
    There is an undercurrent of longing that permeates this play. It drew me in immediately and I couldn't leave. It has some elements of Under Milkwood - knowing what the characters say and then knowing their thoughts. And when there was silence, it spoke volumes. Love-lost, new-as-spring-love, fractured-love, wishful love, terrified-love, forever-love are so poignantly explored, audiences will relate, care and be moved. It's a beautiful ensemble piece.

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