“ Brutally feeling, deeply layered, and mired in heartwrenching and hope in equal measure, Temesgen's play will blow you out of the water. The ethical, nigh impossible choices at hand deftly bring us to the line of "what you would do?" and the scenes move at a brisk, neatly escalating pace. Atop everything else, the haunting visage of Solymar's daughter is brilliant, adding the perfect touch of pure theatricality into the otherwise realistic world. The picture "Lawnpeople" paints of grief (for those living, for those gone, and for those who never were) is absolutely stellar. Highly recommend. ”

“ A delicious little creepfest short sure to hit with actors, technicians, and audiences alike. Busser gives a tight guidance for the horror at hand, but still allows so much room for play, which is lovely to see. The "is it all in his head?" motif is one we see often, but the twist here (which I dare not spoil) is quite ingenious, and different. Fun piece. ”

“ You can call it whatever you want. It takes many forms. Stress. Anxiety. Paranoia. Trauma. We don't ever get a solid, concrete reason explaining Clay's fear, and we don't need it, because whether it's founded or not (is it?), it's real to him. And it is DESTABILIZING. To say more about the contents of this play would be to ruin its magic (another reason I so adore Gatton's work), but rest assured you are in the best of hands. A delightful, horror-filled exploration of the havoc our minds can wreak. ”

“ I don't like this play. It is very good. It's excellent. But it makes me uncomfortable and is almost too real. In lesser hands than Cathro's, it would maybe be exploitative. Instead, it is a brutal reminder of how innocently and calmly the internet/social media can bring out the worst in us. And not only bring it out, but give it even more power to wreak its havoc. Beware. ”