Recommended by Ross Tedford Kendall

  • Ross Tedford Kendall: ABIGAIL

    A fine piece that shows the old classics often have troubling backstories, and that sometimes those troubles intrude on the present. Using Miller's Crucible as a foundation, the play brings out an intergenerational challenge that staging a play in our modern times can often entail. There aren't any easy answers, just some questions that we should consider.

    A fine piece that shows the old classics often have troubling backstories, and that sometimes those troubles intrude on the present. Using Miller's Crucible as a foundation, the play brings out an intergenerational challenge that staging a play in our modern times can often entail. There aren't any easy answers, just some questions that we should consider.

  • Ross Tedford Kendall: DITMAS (10-minutes)

    A charming play with a great twist, with two characters that feel so real you could know them personally. I love how this resolves, with the backstory effortlessly brought into play.

    A charming play with a great twist, with two characters that feel so real you could know them personally. I love how this resolves, with the backstory effortlessly brought into play.

  • Ross Tedford Kendall: Memories of Overdevelopment

    Hugely theatrical, using the strengths of the stage to pull you into the story, while deftly moving from character to character. I particularly like its message, bringing in the stories of the characters, all with wildly differing viewpoints, to show that there are no easy answers. A fantastic piece.

    Hugely theatrical, using the strengths of the stage to pull you into the story, while deftly moving from character to character. I particularly like its message, bringing in the stories of the characters, all with wildly differing viewpoints, to show that there are no easy answers. A fantastic piece.

  • Ross Tedford Kendall: Good Samaritan

    A play that takes a startling turn halfway through, making you go back to revisit the characters' words and motivations. This will have people talking after the performance.

    A play that takes a startling turn halfway through, making you go back to revisit the characters' words and motivations. This will have people talking after the performance.

  • Ross Tedford Kendall: The Final Word

    "It’s not about what’s right and wrong; it’s about who gets to decide what’s right and wrong." This powerful and chilling line is at the heart of the play, and represents the dynamics at work.

    I'm particularly taken with the presentation, deftly moving through time and with the help of Virgil, presenting an exciting theatrical experience. I would love to see this on stage.

    "It’s not about what’s right and wrong; it’s about who gets to decide what’s right and wrong." This powerful and chilling line is at the heart of the play, and represents the dynamics at work.

    I'm particularly taken with the presentation, deftly moving through time and with the help of Virgil, presenting an exciting theatrical experience. I would love to see this on stage.

  • Ross Tedford Kendall: Pandemic Therapy; a ten-minute play (two versions in one document)

    A sweet, charming play with an edge. The pandemic has impacted everyone differently, and that's on full display here. The ending suggests that connections can still be made, and that there is hope. Plus, it's wildly funny!

    A sweet, charming play with an edge. The pandemic has impacted everyone differently, and that's on full display here. The ending suggests that connections can still be made, and that there is hope. Plus, it's wildly funny!

  • Ross Tedford Kendall: Man Cave; the North End of Euripides Street

    A play that checks in with ancient Greek culture and history, while updating for our modern world. The two characters really inhabit their real-life namesakes, entertaining us with their banter. I particularly like the use of Socrates' philosophy and Euripides' plays.

    A play that checks in with ancient Greek culture and history, while updating for our modern world. The two characters really inhabit their real-life namesakes, entertaining us with their banter. I particularly like the use of Socrates' philosophy and Euripides' plays.

  • Ross Tedford Kendall: Does it Bring You Joy? (A Monologue)

    I particularly like how authentic the voice in this monologue sounds to the ear, with every word revealing what is actually going on underneath. A masterful piece.

    I particularly like how authentic the voice in this monologue sounds to the ear, with every word revealing what is actually going on underneath. A masterful piece.

  • Ross Tedford Kendall: Invisible Woman

    A sharp, dramatic exploration into a woman in two situations, vastly different, yet providing a complete portrait of this dilemma. A great short piece!

    A sharp, dramatic exploration into a woman in two situations, vastly different, yet providing a complete portrait of this dilemma. A great short piece!

  • Ross Tedford Kendall: Coming Out

    A great comedy that really plays up the absurdities and humor that often come with the miracle of birth. I particularly like how the playwright imagines the theatrical setting using one actor onstage and voices throughout. The dialog is particularly sharp, and I like how the play resolves in the end.

    A great comedy that really plays up the absurdities and humor that often come with the miracle of birth. I particularly like how the playwright imagines the theatrical setting using one actor onstage and voices throughout. The dialog is particularly sharp, and I like how the play resolves in the end.