Recommended by Adam Richter

This is a beautiful play about friends, gay-straight crushes and the ways people change between high school and adulthood. I particularly loved the nuanced ways that relationships with the supporting characters bring out new revelations about Lee and Shawn, in ways both surprising and completely natural.
"The Lover and the Fighter" is yet another play in Sam Heyman's portfolio that demonstrates what a master he is at crafting lovely relationship-driven dramas. Bravo!

Cam Eickmeyer absolutely NAILS what is wrong with American democracy — and the journalists who cover it — in this razor sharp and laugh-out-loud funny satire. I would say that this is a great Election Year piece for audiences to enjoy and think about, but honestly it's a must-see for any year.
Bravo!

The capacity to do good in this world, even for those who perform miracles, is finite. Aly Kantor's powerful "Tearjerker" shows us that even those with extraordinary abilities have their limits. It's a good reminder to the rest of us.
Audiences would love this thought-provoking and funny play about what it means to help.

"Harlequin" is a wonderfully paced, funny monologue with a sweet and ironic twist at the end. A great solo piece for a female actor.

One of the birthrights we inherit from our parents — aside from eye color and mental health — is cultural tastes. In Philip Middleton Williams' poignant two-hander, (late) father and son come to terms with the former's collection of fantasy novels. "Twelve Books" is a short but profoundly moving drama about what we keep, what we let go and what we find for ourselves. In doing so, Philip indulges us with one last fantasy: A conversation with the dearly departed.
This is an exquisite piece.

I don't think anyone writes with as much empathy about the fragility of relationships as Sam Heyman does. Mia and Faryn are both sympathetic yet flawed people, and their relationship hangs by a thread that is almost past the point of breaking. The way these two struggle to decide whether or not to let it finally snap makes for a riveting 10-minute play. Bravo, Sam!

Votes have consequences. Even the votes that go to the losing candidate have consequences — if not for the country than certainly for the people we know and purport to love. Scott's blistering monologue is a powerful reminder that the right-wing march to strip Americans of their rights did not begin in 2016.
Read this. Perform this. And remember that your vote is often a declaration of your moral code.

These days there's a fine line between satire and forecasting. Philip Middleton Williams has given us a deft, funny satire of life in Florida where enjoyment of anything remotely artistic is an underground act. Want to see what life under big-government authoritarian wackos would look like if the MAGA crowd gets its way? Produce "How About Them Dodgers."

You have never read a vampire story like this one.

You might think you have, but you haven't.

If you want to give audiences a horror treat with unexpected twists and tricks, produce this play.

You'll never look at vampires the same way again.

You're welcome.

The choices people make in their 20s reverberate well into their 50s, even if they don't foresee it. The beauty of "What We Cast Off, What We Keep" lies in how Molly and Janet both strive to undo the damage to their friendship caused by relationship choices made decades before. The frankness of their conversation resonates, as does their mutual effort to correct past wrongs.
This play will leave audiences thinking about their own lives well after the lights go down.