Recommended by Asher Wyndham

  • Asher Wyndham: A DOUBT MY PLAY (10-minutes)

    Never thought that a play about the playwriting process and a playwriting group could be so entertaining and theatrical! Alterman gets into the head of his playwright character -- any playwright, emerging or professional, at any age will laugh at the recognition of their fears and doubts.
    Where you think the play is going, it goes in a different direction - and that happens with every Alterman play.
    Well-done!

    Never thought that a play about the playwriting process and a playwriting group could be so entertaining and theatrical! Alterman gets into the head of his playwright character -- any playwright, emerging or professional, at any age will laugh at the recognition of their fears and doubts.
    Where you think the play is going, it goes in a different direction - and that happens with every Alterman play.
    Well-done!

  • Asher Wyndham: Age Before Beauty

    The most effective use of personification that I've come across in a short script.
    Not used as like some Disney gimmick, Hageman's personification of a car creates an expected intimacy and renders the relationship between the women more human--in doing so the story is emotionally effective and satisfying. Most characters on stage and page come across as used auto parts with nothing underneath. In Hageman's beautiful script, her characters, whether they are real or not, are fully realized, soulful.
    I've said it again and again, and I will repeat it: she's one of the best short script...

    The most effective use of personification that I've come across in a short script.
    Not used as like some Disney gimmick, Hageman's personification of a car creates an expected intimacy and renders the relationship between the women more human--in doing so the story is emotionally effective and satisfying. Most characters on stage and page come across as used auto parts with nothing underneath. In Hageman's beautiful script, her characters, whether they are real or not, are fully realized, soulful.
    I've said it again and again, and I will repeat it: she's one of the best short script playwrights on NPX.

  • Asher Wyndham: You Can Thank Me Later (Audio & Stage Play)

    Most plays don't get off the ground. This one soars -- your imagination goes up 13,000 feet!
    One of the most impressive sound-plotted short scripts I've come across.
    Lovely.

    Most plays don't get off the ground. This one soars -- your imagination goes up 13,000 feet!
    One of the most impressive sound-plotted short scripts I've come across.
    Lovely.

  • Asher Wyndham: Reflection in a Mirror at the Mayflower Hotel

    Infidelity has never been so sexy in one-minute.

    Infidelity has never been so sexy in one-minute.

  • Asher Wyndham: Sea Otters

    A funny absurd play that comically questions whether or not we make our decisions on facts or hoping for the best. I've read this years ago; now in age of Trump, this play set on a raft on the ocean inspires a different interpretation.
    A great challenge for a set and sound designer.

    A funny absurd play that comically questions whether or not we make our decisions on facts or hoping for the best. I've read this years ago; now in age of Trump, this play set on a raft on the ocean inspires a different interpretation.
    A great challenge for a set and sound designer.

  • Asher Wyndham: JOEY...A TEN-MINUTE PLAY

    Loftus imagines a future of traumatized adult children who were separated from their undocumented parents. It's a future that's more than plausible, it's most definitely going to be reality if we do nothing to prevent it. In these dark times, playwrights like Loftus imagine an American future not because they're pessimistic -- they are desperately warning, begging, hoping, demanding that we do something to demand action against an evil administration. Heartbreaking, haunting, this play is a smart choice for any production of short plays on immigration.

    Loftus imagines a future of traumatized adult children who were separated from their undocumented parents. It's a future that's more than plausible, it's most definitely going to be reality if we do nothing to prevent it. In these dark times, playwrights like Loftus imagine an American future not because they're pessimistic -- they are desperately warning, begging, hoping, demanding that we do something to demand action against an evil administration. Heartbreaking, haunting, this play is a smart choice for any production of short plays on immigration.

  • If only soon-to-be-lovers these days were so playful, so theatrical with language -- the world would be more fun.
    A whimsical addition to Szymkowicz's night of short plays about romance.

    If only soon-to-be-lovers these days were so playful, so theatrical with language -- the world would be more fun.
    A whimsical addition to Szymkowicz's night of short plays about romance.

  • Asher Wyndham: Hexakosioihexekontahexaphobia

    These two religious nuts complaining about the Devil's doings in their town will make you laugh non-stop, possibly while recognizing yourself and your complaints about weird stuff, questionable sights and sounds in your town or city.
    This should be a hit at any comedy showcase.

    These two religious nuts complaining about the Devil's doings in their town will make you laugh non-stop, possibly while recognizing yourself and your complaints about weird stuff, questionable sights and sounds in your town or city.
    This should be a hit at any comedy showcase.

  • Asher Wyndham: A Little Night Stand Music

    Beautiful. Tender. Sexy. Sad.
    Some of the best plays bring strangers together to experience what is truly means to be alive, present, together. This is one of them.
    Seinuk has written an unforgettable play. Every ten-minute play she writes hits you hard.

    Beautiful. Tender. Sexy. Sad.
    Some of the best plays bring strangers together to experience what is truly means to be alive, present, together. This is one of them.
    Seinuk has written an unforgettable play. Every ten-minute play she writes hits you hard.

  • Asher Wyndham: The Cliffs of Paris

    This play has the heightened emotions of a romantic comedy without it coming across as contrived.
    You feel for these characters, even the flawed Morty.
    Hilarious, intense, sexy, joyous, poetic.
    This is the kind of play that can get a couple talking and loving again the right way after the show.
    Is there another play after this? Hope so!
    A spectacular play for actors 50+.

    This play has the heightened emotions of a romantic comedy without it coming across as contrived.
    You feel for these characters, even the flawed Morty.
    Hilarious, intense, sexy, joyous, poetic.
    This is the kind of play that can get a couple talking and loving again the right way after the show.
    Is there another play after this? Hope so!
    A spectacular play for actors 50+.