Recommended by Brent Alles

This was excellent. Such vivid language used to put such intimate and intricate focus on a working relationship. This short will be intriguing and engrossing for audiences that get to see it. Very well done.

An excellent monologue / one person play that makes great use of language and lays out a compelling situation for one to consider. This is definitely a great solo piece to perform on stage and for acting students to make use of for showcases and other endeavors!

A delightful modern twist on Blithe Spirit, with charming characters and a fast-paced narrative. The physicality at the end should be a delight to see on stage. Audiences are going to have a ton of fun with this one when they see it.

Hilarious from start to finish, and when I wasn't laughing at the reading of the lines, I was laughing imagining the staging of it. I can absolutely see audiences of all ages having a blast watching this. Who knew we could get such pathos from marshmallows? Weaver knows. His typical delightful lunacy here, and I enjoyed it much. Crackling good. Crackle crackle.

Excellent short here that builds tension effectively and establishes characters very well in the short time you're with them. Wonderful twists that will keep you guessing. And Dickens references in a hitman piece! Nice touch indeed. Kaminski "kills" it with this piece, pun intended.

Great sci-fi comedy piece by Byham here. As always, I love all the references. Until, with this play... I don't. And you'll see why. Darned if the ending of this didn't leave a chill in my theater-loving soul. Good work at leaving that to linger in my mind for a while, Mike. That being said, this short is going to do very well in any festival that will have it. Preferably one run by humans...

Love the characters and the humorous cultural misunderstandings, of course. The comedic tension continues to build throughout the piece until a very satisfying climax. Who knew so many languages, from here and afar, could show themselves in a comedic short? PMW, of course, who brings his typically warm and welcoming approach to family com-e-drama as only he can. A very entertaining ten minute farce that should do very well with the audiences that get the privilege to see it performed.

Richly drawn characters and an expert use of tone and language. Heyman's "Erstwhile" is a very rewarding experience, whether read or performed.

A powerful monologue indeed. I was lucky enough to witness a performance of this recently, and the words of Braverman were already impactful enough, but seeing it brought to life showed me more of the true power that it already had. This monologue deserves to be performed often and is going to bring audiences to the edge of their seats and sometimes tears in the telling.

Very funny short here that asks a certainly probing question: weird... or eerie? Or ta-tas. Maybe ta-tas. Whatever sells, kid. Good stuff as usual from Soucy!