Recommended by Elisabeth Giffin Speckman

  • Elisabeth Giffin Speckman: You Haven't Changed A Bit

    A beautiful play. Tender, it hits the sweetest of notes. Highly recommend this wonderful piece for older actors -- audiences will walk away the better for having experienced it.

    A beautiful play. Tender, it hits the sweetest of notes. Highly recommend this wonderful piece for older actors -- audiences will walk away the better for having experienced it.

  • Elisabeth Giffin Speckman: Blue Frogs

    Love this piece! Charming and funny, it would be a great add to any short play festival and a fun romp for actors and audiences alike!

    Love this piece! Charming and funny, it would be a great add to any short play festival and a fun romp for actors and audiences alike!

  • Elisabeth Giffin Speckman: BLACKCURRANT JAM

    Beautiful imagery! Written mainly in the present tense, this piece has an active immediacy that allows us to move and emote with MARSHA until its lovely ending note.

    Beautiful imagery! Written mainly in the present tense, this piece has an active immediacy that allows us to move and emote with MARSHA until its lovely ending note.

  • Elisabeth Giffin Speckman: Aphrodiseasiacs

    Hilarious. I was laughing from the character list, and didn't stop until I reached the all-too-soon, but perfect, end. Would be so fun to stage as a director, designer, and actor, and thrilling to see as an audience member.

    Hilarious. I was laughing from the character list, and didn't stop until I reached the all-too-soon, but perfect, end. Would be so fun to stage as a director, designer, and actor, and thrilling to see as an audience member.

  • Elisabeth Giffin Speckman: J. Eyre

    I was lucky enough to see this ambitious musical in an intimate production in Indianapolis several years ago and still find myself contemplating the lyrics and score. This adaptation provides something for everyone: a classic gothic love story, great roles for actors, and earworms for the audience.

    I was lucky enough to see this ambitious musical in an intimate production in Indianapolis several years ago and still find myself contemplating the lyrics and score. This adaptation provides something for everyone: a classic gothic love story, great roles for actors, and earworms for the audience.

  • Elisabeth Giffin Speckman: Now and Then (ten-minute play)

    A charming 10 minute piece that illuminates what women have had to endure in private to appear perfect in public. Offers two fun roles for actresses, plenty of laughs, and some wonderful insight into what it takes to be a working woman today.

    A charming 10 minute piece that illuminates what women have had to endure in private to appear perfect in public. Offers two fun roles for actresses, plenty of laughs, and some wonderful insight into what it takes to be a working woman today.

  • Elisabeth Giffin Speckman: Begging the Question

    A wonderful feel-good piece with a twist at the end! Sure to leave audiences smiling, laughing, and charmed.

    A wonderful feel-good piece with a twist at the end! Sure to leave audiences smiling, laughing, and charmed.

  • Elisabeth Giffin Speckman: LIFE | DEATH: OPEN-TEXT (#1)

    A performance text ripe for devised theatre; fluid, this piece's word associations could build quite a night of theatre.

    A performance text ripe for devised theatre; fluid, this piece's word associations could build quite a night of theatre.

  • Elisabeth Giffin Speckman: Smile, Baby

    Fun, succinct, and true on the page, I imagine this play in production could really pack a punch.

    Fun, succinct, and true on the page, I imagine this play in production could really pack a punch.

  • Elisabeth Giffin Speckman: The Girl in the Wall

    Engaging from the very first line! Wonderfully gothic.

    Engaging from the very first line! Wonderfully gothic.