Recommended by Elisabeth Giffin Speckman

  • Elisabeth Giffin Speckman: AN ABUNDANCE OF CAUTION, A Play for Videoconference by Rachael Carnes
    “

    Charming and captivating. I find myself oddly comforted and haunted by Finn's relentless questioning, which seems just about right for these current times. Would be a fun role to play for an actress of any age.

    Charming and captivating. I find myself oddly comforted and haunted by Finn's relentless questioning, which seems just about right for these current times. Would be a fun role to play for an actress of any age.

    ”
  • Elisabeth Giffin Speckman: Legacy of Light by Karen Zacarias
    “

    I was lucky enough to see a production of this play at Denison University in 2012. This play is one of those rare plays that not only features 3 distinct, powerful women, but also 3 powerful roles that as an actor, I would equally love to play. A truly beautiful, captivating work of theatre. I would love to see it again, but would love even more to be involved. Brava!

    I was lucky enough to see a production of this play at Denison University in 2012. This play is one of those rare plays that not only features 3 distinct, powerful women, but also 3 powerful roles that as an actor, I would equally love to play. A truly beautiful, captivating work of theatre. I would love to see it again, but would love even more to be involved. Brava!

    ”
  • Elisabeth Giffin Speckman: Dead And Buried by James McLindon
    “

    Was able to see this play in production at Miami University of Ohio in 2013. Now, in 2020, I still find myself thinking back on the relationship between Perdue and Bid and the haunting atmosphere surrounding this play's cemetery setting and how it seeps (in all of the best ways) into this play, becoming almost a character itself.

    Was able to see this play in production at Miami University of Ohio in 2013. Now, in 2020, I still find myself thinking back on the relationship between Perdue and Bid and the haunting atmosphere surrounding this play's cemetery setting and how it seeps (in all of the best ways) into this play, becoming almost a character itself.

    ”
  • Elisabeth Giffin Speckman: Woodstock by J.E. Hibbard
    “

    A lovely piece that offers an actor lots to explore and emote and an audience a lot to experience. Wonderfully applicable to all races, genders, and humans.

    A lovely piece that offers an actor lots to explore and emote and an audience a lot to experience. Wonderfully applicable to all races, genders, and humans.

    ”
  • Elisabeth Giffin Speckman: Garland, Gynos, and Gurneys by Megan Ann Jacobs
    “

    A fun holiday piece with a twist that is sure to entertain!

    A fun holiday piece with a twist that is sure to entertain!

    ”
  • Elisabeth Giffin Speckman: It's an Espresso Drink with Foamy Steamed Milk by Steven G. Martin
    “

    A fun memorialization of the last 2 minutes of humanity. Both revealing and witty, this piece is sure to delight audiences and raise questions as to just how much a minute (or two) can matter, in the end.

    A fun memorialization of the last 2 minutes of humanity. Both revealing and witty, this piece is sure to delight audiences and raise questions as to just how much a minute (or two) can matter, in the end.

    ”
  • Elisabeth Giffin Speckman: WATERFALL by Rachael Carnes
    “

    A beautiful, solemn piece that reflects the intensity, fragility, and confusion of someone experiencing loss and grief. I especially appreciate how this piece doesn't pander or catastrophize the events that inspired it.

    A beautiful, solemn piece that reflects the intensity, fragility, and confusion of someone experiencing loss and grief. I especially appreciate how this piece doesn't pander or catastrophize the events that inspired it.

    ”