Recommended by Emily Hageman

A powerful, magical play. It's beautiful and poignant and totally unique. I think this would be such a striking piece to see on stage, and would provide some truly refreshing roles for young women. A poetic marvel, cleverly designed and wonderfully executed.

Incredible use of language. Dark, harrowing, engaging--each character that Wyndham creates is a wholly unique, fully fleshed out person who deserves attention. He gives voice to people you wouldn't expect, and you feel for them in a real way. He brings issues to light, but he never forgets the people that it affects--and Leena is a perfect example of this. Leena is the face of an issue for me now, and one that I will likely never forget. Thank you, as always, Wyndham, for evoking empathy through your masterful use of words.

Wonderful, wonderful play. Martin's plays are absolutely genius and full of so much heart. There's pain and heartache, yes, and it's so deeply real--but Martin never leaves his readers and audience in that sadness. He gives us hope. His plays are such a gift and should be read by everyone, especially those who experience moments of profound darkness. Martin always reminds us that there is light--and this wonderfully written, perfectly executed script is just one example of that.

Absolutely delightful and hilarious. I love Hayet's writing--it's so bright and funny and charming. This play shines from the beginning with fast-flying dialogue, and ends just masterfully. One of the best ten minute comedies I've read--and the big, beautiful heart at the center of it is purely undeniable.

Lyrical and strange and beautiful, it would be wonderful to see this play staged. It is such a marvelous piece for inventive blocking. It's stark and terrible, but strangely lovely. A daring play, well-written and beautifully conceived.

I so do love O'Grady's historical plays. She has such a beautiful way of bringing these real people to life until they become so much more than portraits in history books--they become these marvelous, beautiful humans with such remarkable vulnerability. I have never thought of Emily Dickinson as she is in this play, and now, I don't I'll be able to think of her any other way. As always, O'Grady writes delicately, warmly, beautifully, and elegantly. What a wonderful writer.

This is one of the most brilliant monologues I've ever read. Pure delight. This is an incredible piece that needs to be performed constantly. Fantastic.

Absolutely delightful. Sometimes theatre can just be fun, and this is a perfect example of it. Hilarious and unabashedly weird and completely silly, I adore it. It needs to be performed literally everywhere. Wonderful work as always from the great Weaver!

This is pretty much a perfect one minute play. Hilarious, adorable, heartwarming, and full of character in just one page. Also, can I just say that Trevor is the most precious name for a vampire? Love it. It deserves tons of productions, actors would have a ball with this.

This play throws us right in the middle of the action. Exciting and genuinely scary, mysterious with a ton of room for really cool effects. If you aren't breathless by the end of this play, you are doing something wrong. Fantastic and visceral and totally spooky. I love everything about it. Think outside the normal ten minute plays you'd produce and go for this gut-wrenching, intense, and touching play.