Recommended by Sharai Bohannon

This is a very charming and quirky tale. I like that it also provides a different perspective on these damsels in distress that need to be saved by princes. Looking forward to reading more of Hageman's stuff!

I love this play and how it captures that uncertainty of being twenty-something and awkward and poor and navigating unexpected situations. Bublitz has definitely captured a moment that hits entirely too close to home. I also love the last line's double meaning because it gives my imagination a glimpse into what's going to happen for these two.

Burbano shows off some amazing skills making us empathize with someone we often look down on. We need more stories that challenge us to rethink the way we see certain figures attached to certain people. We also need to be reminded that not everything is as black and white as we'd like it to be.

This is a particularly moving piece focused on two people who are stuck together in an unusual situation. The dialogue is particularly natural and their anxiety is palpable. Looking forward to reading more by Witting!

This is a very beautiful play dealing with the fallout of one mistake. While all parties are still grieving, and their relationships to each other are very different because of their new realities, they're something to be said with how much stronger they all are (even if most of them aren't aware of it). I also love that Ellen could actually be played by a teenager who actually needs a wheelchair as opposed to someone who doesn't need a wheelchair. I hope future productions keep that in mind.

This play is the epitome of an emotional roller coaster. I found myself laughing and empathizing with other characters so much that I kept almost forgetting the reason they were all assembled. I think this nails a lot of the feelings one has from growing up in a toxic environment and trying to make peace with that.

I had the privilege of reading this play a few months back and it stayed with me for days. It's got some very beautiful bones and plays with classicism, gender, and also gives us a bit of an education on matadors that the majority of America probably needs. I'm looking forward to seeing where this script goes.

I saw this play at a festival last year and it was stunning. Kimball's ability to go effortlessly go back and forth time stylish and intoxicating. I love this play because it feels like you're taking a plunge under water, or jumping off of a cliff, in the beginning and that sensation stays with you until the beautiful end. I also love all of the women characters that would typically be roles given to men.

I love Kimball's voice as a writer and I especially love this script. This is a very funny script that I think would be a lot of fun for directors and actors to tackle on stage. I don't want to give anything a way but I nearly dropped my tablet during the major reveal and I think that's an excellent sign that it was unexpected.

Really good and honest take on motherhood. We need more stories covering the reality of motherhood like this in the media. Quinn does a great job at managing these three very different women and leading us through the each of their own particular battles with their mom and/or daughter.