“ A beautifully written, very thoughtful play about the transcendent nature of love, self, and the blurry layers of what exploring gender means. There's a lot of deep emotion in this play and Moon handles it with grace, honoring it without overstating or shying away from it. The inclusion of unanswered questions-- and that being a totally okay thing to have-- is also a masterful feature of this play, as it highlights so well that sometimes a lack of resolution is a wonderful resolution in itself. Would love to see this play produced. ”

“ I had the true honor of directing the first iteration of this play— it’s a truly moving piece with a beautiful but believable dynamic between the characters. As someone who’s worked on it, I can say it’s a lot to sink your teeth into in the best possible way and I think many an actor or director would be delighted to take it on. As a viewer / reader, this show deserves to be seen far and wide — it’s a masterful take on a topic that’s important, but hard to do well. ”

“ A great short play that covers a genre I personally don't see enough of in contemporary/new plays: noir. The dialogue in this piece is especially noteworthy, as the banter and exchanges between the characters are engaging without giving too much away up front (read: wonderful opportunity for subtext work for actors!). Excellent take on the noir genre overall, and with just the right dose of comedy to boot. ”

“ Literally anyone can walk into your life and change it, in any way, at any time, and that's exactly what Lee's "blank robbery" explores... and does so in a unique and engaging way. The relationships between the characters-- both old and new-- draw in the attention and make one thing, and I especially enjoyed the banter between Keyanna and Nate. This is a fascinating short piece that would make a great stage production or short film. ”