Recommended by Sharai Bohannon

A heartbreaking short play. It's hard to read because it's sadly realistic. Definitely makes you want to open your wallet and hug a stranger.

I love this play! As usual Rachel tackles something that's very hard to discuss but in a manner that marries her sense of humor with her honest demeanor. Her words, and ideas, need to produced much more often starting with this script.

This play needs to be produced everywhere. I can't begin to put into words how this play touched me and I have a feeling it's going to stay with me for quite awhile. Inda is definitely a playwright to keep an eye out for.

We need more plays about consent and I appreciate that this one is impossible to misinterpret or not understand. Would love to see this go up at as many universities as possible and/or be used as acting exercises. Looking forward to reading more of Carol's work.

This is by far the most powerful piece in awhile. Bravo to Elena for tackling a giant wrong in our society and churning out a script that captures all of the anxiety, sadness, and fear we experience whenever a mass shooting happens. It's a collage of emotions and should definitely be produced, published, etc. for everyone to have access to and discuss.

Super intense and intriguing piece. I love the dynamic, the imagery, and dialogue found in this dramatic situation. Also full of beautiful moments that would make it stand out in an anthology or festival.

Very touching short play about death and making peace with the inevitable. I also LOVE that we have an older woman as the main focal point because that's so rare these days. I'd love to see it in a festival soon.

It's a very delightful, simple, and honest way to spend 10 minutes. I'm a huge fan of tackling the digital age, and relationships during the digital age, as well as having a soft spot for whimsical situations and characters, so I really enjoyed this adorable piece.

I love how the play forces us to look at class (the different kind of homeless people speech specifically comes to mind) and our given assumptions about others. I also like that that it lends itself to discussions on symbolism, patriotism, and humanity as a whole while only running 10 minutes. It's a lot to unpack and I'd like to see it performed.

Very heavy, and timely, two-hander. It's quick but palpable. Should definitely be produced in colleges, festivals, and anywhere else looking for play to start some very serious dialogue about rape culture. I admire Gina's ability to give us so much with so few words.